SONIOPTIK
VIBRATIONAL ARCHIVES | RESEARCH
The Practice
My work utilizes experimental video and photography as forensic tools to document imperceptible phenomena. I am interested in the morphology of waves—how frequencies migrate through biological systems and the physical traces they leave behind.
Driven by a poetic lens, my current research is a 'deep dive' transitioning from intuitive observation toward a methodological analysis of how sound, ritual, and life interact.
Current Path
Visuals: Tracking invisible energy, bio-rhythms, and material memory
Research: Transitioning from intuitive observation to a methodological analysis of sound-life interaction.
Education: Currently completing my MFA in Visual Arts and Post-Contemporary Practices.
Current Research & Focus
Bio-Signals & Fictional Mythologies
My current work explores the bridge between inherited behaviors and the somatic possibility of healing. I am interested in how ritual objects—such as the Dioskurian mask—act as vibrational archives to break cycles of learned violence.
The Installation: A participatory space where sound and objects invite people to re-examine somatic patterns of learned behavior.
The Directorial Lens: Drawing on my background in theater direction, I treat the installation as a performative laboratory. I isolate the "weight" of ritual objects and the quiet frequencies of reflection, staging a dialogue between ancient ceramic forms and the raw, biological data of the human pulse.
